Photography (9th Edition)

Photography (9th Edition)

Description:

This best-selling introductory photography text teaches students how to use the medium confidently and effectively by emphasizing both technique and visual awareness. Comprehensive in scope, this book features superb instructional illustrations and examples in its clear presentation of both black and white and color photography. London offers extensive coverage of digital imaging and the latest technological developments, such as Web page design and formatting photos on CD-ROMs.



Customer Review:
This book is pretty comprehensive. I am using it for a basic photography class. It covers a lot of subjects, but none in great detail. The newer versions actually covers a bit of digital photography as well.

Customer Review:
This was a required text for my Photography 101 class and well worth the price ($20 less here than at the college book store). This book covers all the basics of photography tog et you started and the information is clearly illustrated by accompanying photos. This will be one I'll definitely be keeping as a reference.

Customer Review:
This is the book! If you are studying for the CPP test this is the one. It is comprehensive to a fault. The explanations of photo concepts are complete and easy to understand. The only problem is that the book is so big that it is falling apart. Wish me luck on the test!


Camera Lucida: Reflections on Photography

Camera Lucida: Reflections on Photography

Description:
This personal, wide-ranging, and contemplative volume--and the last book Barthes published--finds the author applying his influential perceptiveness and associative insight to the subject of photography. To this end, several black-and-white photos (by the likes of Avedon, Clifford, Hine, Mapplethorpe, Nadar, Van Der Zee, and so forth) are reprinted throughout the text.


Customer Review:
The only disparaging thing I can say about this book is that it caused me to purchase a better dictionary.

Customer Review:
I am somewhat stunned and dismayed by the negative reviews of this book. In fact, it has seem to elicit a sense of vitriol in some.

It is a brilliant book. How does one state simply such a complicated phenomenon. One doesn't. Those who rated this book so poorly biggest gripe was the complexity of the writing. Well - it is a complex topic. But, I think Barthes beautifully and deftly counters this complexity with his personal reflections. The book is both a critical assessment of photography and an emotional one as well, and this is what makes it so wonderful.

It is not wholly unexpected that most all the negative reviews of this book come late in the day - in the ever increasing time of sound-bites, instant pleasures and generally non-reflective immersion.

Customer Review:
Sorry to say, although Roland Barthes is an icon to some. This short book is self-indulgent, unintelligible, and therefore useless. The author is far more interested in himself than he is interested in the subject.


Seizing the Light: A History of Photography

Seizing the Light: A History of Photography

Description:
"Its chief virtues are a succinct, mostly lucid style, a wide intellectual scope, a flood of ideas and insights at every turn, sensitivity to the technology and culture of photography, and a willingness to attend to images . . . In the end, perhaps the best measure of a text is whether or not one would choose it from among all the offerings to use in class. I have chosen to use this book." - Photo Review, Spring 2000

"An excellent introductory history book." - Afterimage: The Journal of Media Arts and Cultural Criticism

In this wonderful and entertaining book, Hirsch has produced the most useful, readable, and practical successor to Newhall. Seizing the Light is written in a friendly, accessible way -- dense with information, but more hip and lively than other offerings, especially those aimed at college students." - exposure: The research journal of the Society for Photographic Education. Vol. 32.2 (Fall, 1999)

Hirsch's prose is very digestible. He writes in a clear, lively style with a minimum of jargon." - Views: the newsletter of the Visual Material Section of the Society of American Archivists

Science, culture, and art come together in this comprehensive history of photography. With superlative production values, rare and unusual prints, and a fresh perspective, Robert Hirsch has written the ideal companion to the first 200 years of photography.

Customer Review:
Robert Hirsch's survey of the origins and evolution of photography, "Seizing the Light," is a welcome addition to the expanding study of the medium. In clear, insightful, and engaging prose, Hirsch unfolds photography's hit-or-miss birth which was rapidly followed by coherent technological developments almost at the speed of light. Hirsch makes us believe that photography was inevitable; the darling and necessary child of destiny wed to information theory. And Hirsch's treatment of early 20th century Modernist photography and the philosophy behind Pictorialism is excellent.

As a primer for the invention of photography and its chemical underpinnings, "Seizing the Light" is as good as it can be. It falls a little short, however, in its treatment of contemporary photography. The book would have been better served by including a few in-depth surveys of important contemporary photographic projects in order to emphasize the centrality of this discipline in contemporary art history and postmodern theory which is heavily dependent on the nature of images and processes of image-making.

Customer Review:
Overall a great book on the history of photography. VERY comprehensive overview of the evolution of photography. It ties movements in art and social events into photography trends and developments. It also provides insight into how photographers and artists used the medium to express themselves and how experimentation lead to improvements over the years. My only negative comment would be that some of the earlly forms of cameras were not pictured. There were diagrams of early cameras, but after the first hundred years, there is little to no documentation on how they evolved cosmetically/ functionally. It'd be nice to see an example of the various "groundbreaking" cameras as they were discussed. Otherwise, a great book.

Customer Review:
For everyone with an interest in photography, either as an artist of the medium, a beginner looking for direction, or a collector who wants informed background to enhance appreciation of fine photographs both from the past and from the present obsession, SEIZING THE LIGHT: A History of Photography is essential reading.

Robert Hirsch knows his subject and in one hefty book manages to share the beginnings of photography some 200 years ago with the evolution of the camera and the discipline of photographing. Well illustrated with both photographs and drawings, Hirsch chronicles the famous and not so famous practitioners of the art in succinct but richly colorful biographical abstracts to accompany examples of each artist. The phases through which this art form has passed makes for fascinating reading even beyond the scope of the title: the use of the camera in documenting the history of our globe at celebration, at war, at discovery, and at the side of the people of the day is a journey well lead by a writer well skilled.

Though this book is now six years old it remains one of the more important textbooks for the art school classroom. But more important it is so richly written that it remains a fascinating survey of life since the camera. From the beginnings of the pinhole box to the present day digital images on the cell phone etc, the invention of the camera has inextricably changed our perception of the world. Learn the how and why of it! Highly recommended. Grady Harp, December 05


100 Days in Photographs: Pivotal Events That Changed the World

100 Days in Photographs: Pivotal Events That Changed the World

Description:
Much more than a book of pictures, 100 Days in Photographs is a compelling visual journey through our age—an odyssey that's personal and universal, immediate and timeless. To create it, Getty Images and National Geographic identified 100 days that represent defining moments of the past 150 years... and crystallized them with photographs that leap from the page to evoke joy and anger, triumph and despair. Supporting the visuals are firsthand journal excerpts, photographers' on-site notes, and insightful text by photography historian Nick Yapp.

From the Getty Images archive, astonishing images depict major world events: revolution in 19th-century Europe, President Lincoln's assassination, the Eiffel Tower's construction from 1887 to 1889, Bleriot flies the English Channel in 1909, the Wall Street crash of 1929, Germany's Kristallnacht, the British quit India in 1947, and more. National Geographic's contributions illustrate scientific, cultural, and geographical topics—including the 1906 San Francisco earthquake, Jane Goodall's study of chimpanzees, Chernobyl's nuclear disaster, the cloning of sheep, the attacks of September 11, 2001, and today's global warming debate. Page after eye-catching page reveals the emotion of an entire event or age captured in a single image—whether of a peasant's tears, of world leaders sharing a secret, or the triumph of an Olympic champion. Politics, war, crime, technology, achievement, fads, and fashion all figure into the life and legacy of these 100 days.

Featuring scores of rare and unpublished photographs uncovered during its creation, this remarkable book provides new perspective on key events and personalities of the past 150 years.

Customer Review:
This is an amazing book and a great gift! Amazing photographs, high quality prints... One of the best book I bought this year!

Customer Review:
The photos are amazing but I was not expecting some of the graphic nature on a lot of these photos (dead bodies mainly). I was hoping for a coffee table book but because it is so graphic and I have young children, I am not going to be able to display.


World History of Photography

World History of Photography

Description:
This sumptuously illustrated volume, hailed as an indispensable work on the fascinatingly expressive photographic medium, has been revised and expanded to cover images by contemporary photographers working in the twenty-first century.

Customer Review:
Well, I have to say that the author is an excellent researcher. Although she concentrates mainly on the creative and artistic sides of photography, the technical aspects are also presented, albeit briefly. I know this book is used as a textbook in several schools, and the problem I have is that it reads like one. While perusing this work, I couldn't help feeling that I was back in college, cramming for a final exam, rather than being taken on a journey through photographic history. In other words, the author's writing style is a tad dry. The facts are all there, and the pictures are wonderful, but she never seems to convey the emotion or feelings of the events. So, if you want something to study, this is it. If you want something to read and enjoy, I'd go elswhere.

Customer Review:
A lot of information concentrated in one book, just what I needed: A lot of facts with perfect examples of photos and other illustrations. Especially I liked that there are no author's opinions, or philosophical discussions in this book, just facts.


History of Photography: From 1839 to the Present

History of Photography: From 1839 to the Present


Customer Review:
This could have been dry subject matter, but it was both interesting and useful. As an avid designer that dabbles in photography, I found this to be a great book.

Customer Review:
The book is more than perfect, its content, the way its written. It was right on time with a big discount, but had a corner a little wrinkled.

Customer Review:
I can't remember the first time I read this book, decades ago. Although it's quite dated in light of the advancements in digital photography in recent years, this is still the first reference to check for information about the first 140 years of photography. Even with Wikipedia available, this is the book I check for information. I happened to live in Rochester near the end of his time as curator of George Eastman House, and got to see first hand his influence on the medium. Newhall's book will remain on my shelf for as long as I am interested in photography.


American Photobooth

American Photobooth

Description:
A fascinating history of an American institution that includes an extraordinary collection of photobooth images.

"That a perceptive, dedicated, and sensitive artist like Näkki Goranin has rescued from oblivion so many amazing self-portraits created by amateurs confronting themselves in the fleeting privacy of humble photobooths is yet another miracle for which we can be grateful."—from the foreword by David Haberstich

Generally relegated to the realm of kitsch, the history and cultural importance of the photobooth has long been overlooked. Here, Näkki Goranin documents the invention, technological evolution, and commercial history of the photobooth with extensive illustrations culled from twenty-five years of collecting. Complementing this history is a powerful collection of heartbreaking, funny, and absolutely beautiful photobooth images. These often solitary figures—seeking freedom, confession, a thrill—are evocative of a lost time and place. Haberstich writes, "For anyone who assumes that photobooth pictures are perfunctory, utilitarian records at best, the range of emotions and moods portrayed by the subjects of [this] collection is a revelation." Over 200 color and black-and-white photographs.

Customer Review:


Aside from the nostalgia of this collection, American Photobooth is a fabulous coffee table book, a varied collection of black and white and color images from the photobooths that have contributed to this country's collective photographic history- literally the faces of friends, strangers, couples, service men and their girls soon off to World War II, a stunning compilation reproduced on high quality paper, the images prefaced with a detailed history of the photobooth.

It all began with the 1894 invention of a Parisian vending machine. Once the concept of the coin-operated vending machine was embraced by an evolving popular culture, these booths became a favorite pastime, "the ultimate pedestrian art". Over the years the concept developed, along with techniques to streamline the process, photo strips available to customers for twenty-five cents. A number of entrepreneurs contributed to this emerging art form that could be found in storefronts, department stores and virtually any place one of these booths would fit. The technology progressed with the times, from a "plumbless" machine that no longer required a water supply to various chemical paper treatments that allowed quick-drying, cost-efficient results.

Over the years, booths were refined redesigned and updated under a series of names: Photomaton, Phototeria, Mutoscope Photographics, Photo-Me USA, Tru-Photo and Photo-Dome, through a number of innovative family-owned enterprises appearing everywhere, including the Depression. By the 1970s color strips arrived; by the 80s chemical photobooths were nearly phased out. The first art promoter to use the photobooth, Andy Warhol made the images part of the American artistic lexicon. But for those of us who ever posed with a friend, inserted a quarter and received a strip of four pictures, this book is a reminder of simpler days. Although "this American tradition stands on the brink of extinction". Goranin's wonderful collection offers a trip to the past, from the early 20th century, page after page of smiling faces hoping to capture a moment in a fast-moving world. Luan Gaines/ 2008.


Customer Review:

The title of this book is perfect. What American hasn't had that moment in a photo booth waiting for the
flash of light, deciding second to second what pose to strike with or without accomplices? And then...
the wait for the magical strip of photos.

It's fascinating to find that this seemingly American invention was not invented by an American.
Even the history of the photobooth is filled with photos and ephemera about this "American" institution.
American Photobooth addresses this sociological phenomenon in a concise and fascinating way.
Who knew the depth of history to the everyday photobooth?

A great read and visual feast. A fabulous collection of photos, evoking the human spirit, its highs and lows.


Hollywood Portraits

Hollywood Portraits

Description:
This inspirational book of star photographs provides classic portrait styles and detailed directions on how to set up, light and shoot each photo. Step-by-step instructions reveal the techniques used by top Hollywood photographers for their glittering glamour portraits of the 1920s through the 1950s. Included are sections on equipment, processing, lighting and more.

Customer Review:
This is a great start for developing a foundation of this kind of lighting.The diagrams are easy to follow and it explains what are some of the pitfalls of certain kind of lightings.This is one of the reference book that I can say worth of what I paid for.

Customer Review:
This book is perhaps not the end-all/be-all of Hollywood portraiture, but it is a delight to look at and inspirational for photographers. The steps and insight on how these images were created is both interesting and fun to read. A great book for a great price.

Customer Review:
This book, by Roger Hicks, was good in its way. Having recently been required to try to reproduce the style of Hurrell/Bull, I did find it useful. The photographs were well reproduced and the descriptive material, particularly as regards history, was good. I did find it a bit confusing with "camera right" and "subject right" being thrown in willy-nilly. You would think that this would be self explanatory. However, combined with the illustrative drawings which looked at the set from different angles I would often get mixed up as to which light went where.

I am just a little thick, perhaps.


Criticizing Photographs

Criticizing Photographs

Description:
This brief text is designed to help both beginning and advanced students of photography better develop and articulate thoughtful criticism. Organized around the major activities of criticism (describing, interpreting, evaluating, and theorizing), Criticizing Photographs provides a clear framework and vocabulary for students' critical skill development. The fourth edition includes new black and white and color images, updated commentary, a completely revised chapter on theory that offers a broad discussion of digital images, and an expanded chapter eight on studio critiques and writing about photographs, plus examples of student writing and critique.

Customer Review:
This book was require for my college level digital photography course, but I felt that it did not do an adequate job of explaining the concepts it covers. The book is dull and merely lists other photographs as examples (they are not included in the text).

Customer Review:
this book is probably going to be one of the required books for photography in college but it's not a horrible book. not the most exciting, but definitely has enough to get one started with critical thinking about photography and such.

Customer Review:
I am sorry I bought this book. It was written by a college professor for students, readers that have no choice but to buy the book, and it reads that way. The author does not use his own vision and voice to criticize and to explain criticism but instead relies on a survey of methods used by critics. The writing was wooden, and the book had an overwhelming emphasis on staged, "arty" photographs. I could not bring myself to finish this book and have given it to my local library for their book sale.


Love

Love

Description:
Universally desired and uniquely experienced, love finds expression in every land and culture. This enchanting new book celebrates the depth and diversity of love—at many moments in history, and at every human age—in an exquisite collection of photographs from National Geographic’s famous archives and beyond. Each picture tells a tantalizing story and captures an intimate, unforgettable glimpse of love’s many facets, from courtship to friendship to charity and more.

As life-affirming and surprising as its namesake, the book is a beautiful keepsake for lovers and a must-have for all who admire classic photography. Masters of the art, such as Henri Cartier-Bresson, Elliott Erwitt, August Sander, Mary Ellen Mark, Eugene Richards, and William Allard, are among those who have traveled the globe to capture love’s nuances. Showcasing evocative black-and-white portraits and gorgeous color images, Love follows in the tradition of bestselling photography titles including Work, Through the Lens, In Focus, and Wide Angle.

More satisfying than candy and more affordable than a bouquet of flowers, Love is perfect for Valentine’s Day, anniversaries, weddings, birthdays—and every occasion for gifts between those who love.