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Top Selling Camera Flashes
Canon Speedlite 580EX II Flash for Canon EOS Digital SLR Cameras
Description:
Further development of Canon's flagship Speedlite has led to the production of the 580 EX II. This is the premier Speedlite for all photographers, including professionals. Newly designed to match with the EOS-1D Mark III in terms of improved dust- and water-resistance, body strength, and the ability to control flash functions and settings from the camera menu (EOS-1D Mark III only). Other features include improved communication reliability through its direct contacts, and recycling time is both 20% shorter than the 580EX and is completely inaudible. Optional External power supply - compatible with Dust- and water- Resistant External Power Pack, Canon battery pack CP-E3 and Transistor Pack E Unit Dimensions - 3.0 x 5.3 x 4.5 inches /76 x 134 x 114mm; Weight - 13.2 oz./375g, without batteries (4 AA alkaline batteries add 3.5 oz./100g)
Customer Review:
The flash is an improvement over the previous 580EX. The base is more solid and the lockdown is improved. The battery compartment is a much better design than the older 580EX, refresh time is better. It is just an overal better designed flash.
Customer Review:
This is the top of the line flash from canon, and when matched with a canon camera, this works beautifully. I have not tried 1/10 of what this thing can do, but plan on getting plenty of use out of it. Over the past couple weeks, I have used it for assistance with hundreds of pictures and it really does work much better than the built in. I have not tried the wireless sync, but this is next up on the list.
Customer Review:
This is the ideal professional flash. The versatility is practically limitless. I bought this flash with the intent of using it as the primary lighting for wedding photography. It's powerful enough to provide bounce light even with high ceilings, and it's new silent recycle is always a welcome change for inside the church (though, the zoom head still makes noise, so this flash isn't completely silent.)
What I was most impressed with, above and beyond the reliable and consistent flash metering (this is professional grade!) is the wealth of custom functions. Included on the EX II model is a new manual automatic metering system where when enebled (via custom function) you tell the flash the ISO and the Aperture you desire and it meters the scene via it's own light sensor. This works great!
This feature is not useful when the flash is mounted on the camera howevver, ETTL II is much stronger. But this feature provides some advantages when combined with the new PC cord in port on this flash.
The extra features on this flash are amazing, the useful, but this flash is a professional flash. It's sometimes complicated, and there are features you may pay for that are unlikely to use. The 430EX is a more affordable alternative which you may want to consider to conserve your budget, and if you don't need to use this flash of a PC cord or external sync system.
Overall, great flash! Even if it wieghs as much as my camera. :D
Nikon SB-600 Speedlight Flash for Nikon Digital SLR Cameras
Description:
compatible with Nikon digital SLRs and other select Nikon cameras including the Coolpix 8700 and 8800 * wireless remote operation * 4 selectable frequency channels * vertical angle adjustment * number of flashes: About 200 per set of fresh batteries * weight: about 10.6 oz. (without battery)
Customer Review:
Does what it says on the box. On tried it enough to tell the excellence of the flash but it's good price and delivery from Amazon which makes it a good buy compared to other places where you might have to take your risk.
Customer Review:
Absolutely great.
And used in stand alone mode it makes for super photos.
Customer Review:
This flash may not have the same power as the SB800, but it's compact, smart, and good enough for most of my needs. Combined with a digital Nikon SLR (I have the D70S) it exchanges lots of information with the camera and automatically adjusts the exposure and focal length of the flash. The display on the back can be a bit confusing but all the information is there. The flash power has been more than adequate.
Canon 430EX Speedlite Flash for Canon Pro1, Pro 90, G Series and all EOS SLR Cameras
Description:
This exciting new addition to the EOS System combines compact size and affordability with an added dose of features and sophistication. Improving on the previous model, Speedlite 420EX, the new 430EX can now be set into manual flash mode (full power~1/64). Flash compensation can be set on the flash unit, and manual control of the flash zoom head is now possible. Improvements in its circuitry make recycle time 40% faster, and since it is compatible with Canon's wireless E-TTL, it can be used as an affordable "slave unit". Wide-angle pull-down panel covers 14mm lens (on a full-frame camera) Zoom positions - 24mm, 28mm, 35mm, 50mm, 70mm, 80mm, 105mm; Indicated by numerals on the LCD's focal length display Image Size Zoom Control - With cameras compatible with auto zoom, it zooms automatically to match the camera's image size Guide Number 141 ft./43m (at ISO 100); flash head at 105mm zoom setting Auto conversion of flash zoom coverage with compatible digital SLRs White balance info communicated instantly to compatible digital SLRs Bounce upward to 90 degrees; swivel right (to 90 degrees) and left (to 180 degrees) 14% lighter and approx. 25% smaller in overall volume than top-of-the-line 580EX Six flash custom functions built into the 430EX (set on rear LCD panel) Power Source - Four AA-size Alkaline Batteries (6V) or Four AA-size NiMH Rechargeable (4.8V) - both not included Unit Dimensions - 2.8 x 4.8 x 4.0 in./72 x 122 x 101mm / Weight - 11.6 oz./330g (without batteries)
Customer Review:
Canon's 430EX Flash is one of the hands down best flashes for under $300. I use my on a Canon XT and can produce some of the most amazing looking pictures with it. The flash itself tilts to allow the user to 'bounce' the flash off of objects and soften shadows. I also use the 430EX with the optional flash cable to get the camera and flash setup in just the right positions for taking portraits and professional looking photos!
Customer Review:
The speedlite Canon 430EX met all my expectations. It is a well designed and veratile attachment. It improves my ability to take pictures under all types of lighting conditions. I was pleased to find that its many features are relatively easy to use.
Customer Review:
This is the first flash of this kind that I have own, and for a newbe it was very easy to learn. If you use long lens with your camera you will want to pick one up, the built in flash on the 40d with the 28-135 lens get blocked at the lone range, this flash solves that problem. Also being able to move the flash right and left, and up and down make it great for a fill flash.
Canon HF-DC1 High Power Flash for Canon Powershot Digital Cameras
Description:
High power flash for select Canon Powershot digital cameras / Compatible with the Canon Powershot A510 / Also compatible with other Canon Powershot models
Customer Review:
The Canon HF-DC1 is a must for any Canon camera owner. On-camera flash isn't powerful enough to photograph large areas inside (like weddings and parties). This unit extends your flash range to over 20 feet and lights up those images normally left in the shadows with a normal on-camera flash. This slave flash has worked flawlessly since receiving it. It is simple to use and has improved every picture taken using it.
Customer Review:
I really like this flash. I don't always need it but when the light is low or I'm taking a picture of something 20 feet away it's really nice.
Customer Review:
This unit is really good for addition light when making digital images. The bracket is slightly short to correctly fit my Canon Powershot SX100, but if I angle it a bit, it still works. The shipment was prompt and accurate.
Stroboframe Quick Flip 350 Flash Bracket for 35mm Cameras
Description:
Stroboframe's Quick Flip flash brackets are compact, lightweight, and handle quickly, making them ideal for casual and professional photographers alike. Although lower in price than the company's top-of-the-line brackets, the Quick Flip 350 shares the same high-quality aluminum construction, which includes a baked-on finish for hard use and durability. The unit's base, meanwhile, is perfect for all 35mm cameras (excepting those with large accessory battery packs or motor drives) and is configured for both eye-level and waist-level viewing. Most importantly, the Quick Flip 350's pivoting flash arm keeps the flash centered above the lens for both horizontal and vertical compositions, helping let in the optimum amount of light. Other details include a machined, positive-locking shoe mount that's interchangeable with an optional handle mount; a high-density neoprene foam side grip for comfortable shooting or carrying; and a nominal lens-to-flash distance of 12 inches. Note that Quick Flip models do not accept camera anti-twist plates.
What's in the Box
Quick Flip 350 bracket, shoe mount, 1/4"-20 camera mounting knob.
Customer Review:
Although this bracket will work, there is a part necessary to attach NIKON cameras that isn't included or mentioned in the description. It can be jury-rigged...but don't tip or your camera will flip!
Customer Review:
I purchased this with modest expectations, but it has exceeded them. It is very solidly built and I believe it meets professional standards in that respect. Let me address a few concerns that I know other people have expressed:
Vertical shooting: yes, with this product vertical shooting becomes fairly difficult to the point of effectively ruling it out. However, I shoot vertically about 4 times a year. That's not 4 sessions per year--4 frames. If you are someone who does a lot of vertical shooting then I would recommend steering clear of this item. For me, someone who rarely ever does shoot vertically, this does not bother me at all.
Camera and/or flash coming loose: I have not experienced this issue at all, not even a little bit, not one time. All I did was tighten the bottom screw down fairly tight. I didn't use a pair of pliers to tighten it or anything; just my hand. The camera stays in place perfectly all the time. This may be, however, because I have a Canon battery pack on the bottom of my camera which also has grip to it. I haven't tried mounting the camera directly to the bracket so I don't know if that would cause the slippage issue or not. Anyway, for me this is not an issue at all. Also, in all positions my flash has remained in place as well. My flash is attached to a remote cord so actually it is the remote cord which is screwed down technically speaking, but regardless everything has stayed in place in all positions. I have experienced no issues with anything coming loose. Now, I did just buy this and I have only used it a few times so I can't speak to long-term reliability in this area. If it fails down the road I will come back and revise this review, so if you are reading this then everything is still fine.
If I had a gun to my head and was asked what the shortcomings are with this product, I would say the bottom camera mounting screw is so large that it makes setting the camera down incredibly difficult in any position with this bracket attached. You have to find a soft surface (like carpet or a chair) to set this down when your camera is attached. Setting this down on tabletops or counters will scratch them and your camera might tip over and get scratched or damaged. Also the grip is pretty lacking in ergonomics. Those are really tiny issues that would not stop me from buying or using this item. I mention them just to be thorough.
This is a great bracket and I am very pleased with it. I will likely buy another one or two of them for other cameras that I have.
Customer Review:
I purchased this to use with my Fuji S6000fd digital camera and a slave flash, it is well constructed and very comfortable to use. Don't let the name fool you, it works perfectly well for digital cameras not just 35mm cameras.Sunpak Super 383 Flash
Description:
The 383 Super is a powerful flash used by enthusiasts and professionals alike. It features bounce/swivel head, 3 f/stop auto ranges, manual control with power ratio from full to 1/16, exposure OK lamp.
Customer Review:
Bought this 383Super on Amazon and could not be more happy with the result, my Fujifilm S9100 built in flash was a joke, tried a Quantaray QB-350A w/c yielded some good pictures but ended up returning it due to being "underpowered"(still a much better one than the S9100's)The 383Super is just a dream flash! as long as you follow the recomended setting, you'll be amazed by the beautiful and sharp pictures it will provide. Buy it, you won't be sorry, just a note; it's a little heavy though...
Customer Review:
I have been pleased with this flash. The lighting is very even and the exposure is accurate in the majority of situations. I would give it 5 stars if it weren't for the fact that the switches for selecting mode and ISO are very stiff and hard to slide.
Customer Review:
The strobe works as it should. However, the unit I received was supposed to be new. It wasn't. Packaged as new; under the wrappings the control panel on the back of the unit was scratched--it had been used. The cosmetic mars were inconsequential and did not affect performance when used with a hot shoe. Missing in the box was the synch cable. Sunpak uses a proprietary mini plug connector. There should have been a short cable with mini-plug to PC that allows use with other cameras, flashes and triggers. I reported this in previous e-mail to Amazon.Pentax AF 360 FGZ Flash for Pentax and Samsung Digital SLR Cameras (w/ case)
Description:
The PENTAX AF360FGZ auto flash unit features a large guide number of 30 (at ISO100/m), which allows for effective flash photography over a lengthy distance. This clip-on, bounce auto-zoom flash includes a variety of advanced flash features, such as P-TTL auto flash, high-speed synchronization and wireless P-TTL auto flash, when mounted on a PENTAX digital SLR camera. Zoom Head - 24-85mm (flash automatically senses focal length) Flash sync mode - Leading-shutter-curtain sync, Trailing-curtain-sync, Contrast-control-sync, High-speed-sync, modeling flash, Wireless flash Power Source - Four AA size batteries (alkaline, lithium, Ni-Cd, NiMh) Dimensions W x H x D - 2.8 x 4.3 x 4.5 inches (70 x 110 x 115.5mm) Weight - 9.6 oz. (270g)
Customer Review:
The Pentax AF 360 FGZ flash is an excellent choice for the photographer on a budget. It integrates well with the Pentax K 10D digital camera. The power and adjustments of the flash unit provide opportunities for creativity. Although there are better units out there, all of them are more money and some of them do not integrate with the Pentax body.
The construction of this unit is above average. The adjustments are average. The power is above average. The ease of use is above average. The number of flashes per battery charge is above average.
I would buy this unit again.
Customer Review:
We bought this for my son; he loves it. My husband wants one now, and he has been doing photography for 45 years. The only thing I have heard both say is that the directions for use are very unclear. They had to go online to a pentax forum to find out how to make use of the camera's features.
Customer Review:
I got it for Christmas.
It has no swivel and is useless to me as I found out.
I use flash mostly bounced off the ceiling. Without swivel I cannot bounce when shooting vertically (portrait orientation).
P-TTL didn't work wonders; I get practically the same results with non-dedicated Auto-flash. I get more blinkers with P-TTL, because of the pre-flash.
Giving it 3 stars because of the high build quality.
I think I'll stick to Sunpak 383 - swivels, more power, reliable auto-flash, twice as cheap.Canon Speedlite 220EX for Canon Pro1, Pro 90, G Series and all EOS SLR Cameras
Description:
Featuring a recycle time of 0.1 to 4.5 seconds, the Canon Speedlite 220EX is a fully automatic flash, compatible with all Canon EOS cameras. The 220EX can also utilize E-TTL operation when paired with the Canon EOS IX, EOS ELAN II/IIE, and EOS Rebel G. Sporting a save-energy feature, whereby the flash is shut down after 90 seconds of idle, the 220EX is powered by four AA batteries, and has a flash capacity between 250 and 1,700. The convenience and ease of use ensure the 220EX a place in the hands of amateur photographers who want a high-quality flash, but aren't interested in learning to use the professional features of Canon's other offerings.
Customer Review:
I purchased this flash for my G9, but now use it with all my EOS SLR's also. This week I used my expensive 580 for class pictures and ebay photography with dismal results. I switched the 2nd day to this little baby and the class pictures were perfect. I was amazed! Eliminated redeye with the G9 and perfect for many uses.
Customer Review:
Adding a flash improves color quality immensely. This is a compact-yet-powerful unit that I use with a G9. Highly recommended!
Customer Review:
This is a great flash! I is defiantly worth what I payed for it. It fit perfectly on my Canon XTi and I really like it. Just remember you need 4 AA batteries for it that are not included. I would recommend this flash.Sony HVLF32X External AutoProgrammable Flash for MVCCD500D, DSCV1/V3/R1 Cameras
Description:
Sony HVL-F32X High Grade Flash - Get outstanding flash coverage of up to 48 feet with this Deluxe Sony High Grade Flash. Offers innovative built-in model light mode, manual lighting control for increased creativity and a bounce and tilt head with built-in diffuser for easy use. Advanced automatic TTL Pre-Flash exposure control is offered through the dedicated hot shoe connector. Pre-flash adjustment - detects appropriate exposure before firing flash Allows detection when conversion lens attached AF assist lamp allows AF photography even when subject is too dark Test flash - sets the focal length of light adjustment sensor by DSC data, then fires the test flash Red-eye reduction, bounce flash function, equipped with wide panel, modeling flashflash external for dscf828,717,707, cd500, v1
Customer Review:
This flash is very well built and the controls are better than other name-brand flashes I've owned and used. I've used it with an R1 and a V3. At GN 32, it's powerful enough to bounce, yet not so powerful it drains the four AA cells too quickly. It has the best shoe lock I've ever used - there's a little pin in the foot that drops into a tiny hole in the hotshoe. It's wide angle diffuser lives permanently inside the unit, sliding out and clicking into place with ease. The flash is very good close-up, very good outdoors against the light. Sony's sophisticated flash control helps get exposures spot-on. It has extra AF assist LED's for the R1 (best turned off for the V3). I knocked off a full star, though, because it does not rotate, and therefore can't be bounced off ceilings in portrait format. It comes with a superb pouch and an off-camera mounting bar. Physically it's neither too big nor too small for what it can do.
Customer Review:
Nothng technical. This unit is designed for Sony cameras and works best with them. It eats batteries, but with rechargeable AA's that's not a big problem. I have found the results to be very uniform and close to Sony's specs. Reasonable recycle time.
I wish that Sony had designed the unit to sit a little higher off the camera to eliminate more of the red eye effect.
Have to wait and see about the long-term durability. Maybe it's the next Vivitar 283.
Customer Review:
While I think the programmable aspects of this of this flash are great, I have real problems with the actual use. So far it's given me variable results in similar lighting situations, making me wonder about the metering. It is very powerful and lights up a great deal of area. The manual mode is handy, but I wish there were more values.
I'm VERY disappointed by the cycle time. It takes a very long time for this to cycle up to a full charge. Compared to my old Speedlites, it takes easily 3-4 times as long to cycle. I can't tell you the times I've waited and waited, pressed the shutter button, then had to wait some more!
Also, because of the low-profile feature, if you use larger flash-attached diffusers, such as a LumiQuest mini-soft box, it will block the sensors forcing you into manual mode. A STO-FEN diffuser works ok and won't block the sensors.
The extender arm is great, but after only a short while of using it, the shoe became very loose and swivels too easily. Also, I wish the supplied cable were a bit longer so you can hand-hold the flash. An extender cable helps out in these situations.
All-in-all, it's an ok flash, as long as you don't need to shoot two flash shots together quickly.Sunpak Digital Camera Flash Adapter
Description:
While ToCAD is a name most people won't recognize immediately the products it markets are very well known. Sunpak electronic flash units, video lights, camcorder batteries and cellular batteries, Sunpak photo and video tripods and different accessories, Zero Halliburton aluminum photo/video and computer cases, and GE/Sanyo lithium batteries. All are names photo enthusiasts and professionals respect and rely upon for high quality and great value.
Customer Review:
if you are looking for a good but cheap bracket that will save you money and get you the results you want;then get this.i did not think it would be as good as advertised, but it was little better than expected.if you are like me and shoot skateboarding photos and need that shadow out of you way then this is just for you.the only thing that i dont like about this is that is made out of plastic on the top and its confusing of what the numbers mean.it is easy to use and it works for me.
i hope you enjoy this product
Customer Review:
I purchased this to use with my Fujifilm S6000fd and my old Canon Speedlight. Loaded it up with batteries, attached the camera and flash, turned everything on and...nothing. No matter what setting I used it would not fire my flash as a slave.
In addition the unit is rather flimsy, if you hold it by the grip the base noticeably bends from the weight of the camera at the point where the grip and the camera come together. If you hold the camera, with the grip full of batteries and the flash in place, it bends from the weight of the flash and 8 AA batteries (4 in the flash and 4 in the grip). The whole thing is made of plastic and not worth the $25 I paid. I am returning this item to Amazon.
For those interested my solution was to purchase the Stroboframe Quick Flip 350 Flash Bracket for 35mm Cameras from Amazon and the Phoenix D92-BZS Digital Auto Flash with Bracket (through Amazon from Ace Photo). The frame is solid aluminum and the flash, while cheaply made comes with a one year warranty. This combination works extremely well, the flash is above the lens and fires as a slave either in Red eye reduction mode or standard flash mode, wonderfully lit photographs are the result.
Customer Review:
This item is great - for those of you that bought a great camera in the past, but it just didn't have a hotshoe, or for some reason your hotshoe isn't working, this is just what you need. It allows you to use a stand-alone flash with any camera, digital or film. Absolutely great bargain.
Top Selling Lenses
Canon EF 50mm f/1.8 II Camera Lens
Description:
This is considered the standard lens for use with Canon SLR cameras
Customer Review:
For what you pay the 50mm 1.8 is pretty hard to beat for solid portrait and low light work.
Customer Review:
For some odd reason everyone thinks you "must" own this lens simply because it is so inexpensive compared to other lenses. I tried it, and was not happy at all. Indoors, it never seemed to want to auto-focus. And switching to manual is no fun because the manual focus ring is too small and seems almost flimsy/sloppy to use. The image quality was mediocre, at best. I found that I rarely used this lens for much of anything. I only used it a handful of times to play with to see what it could do, but never found it to be a must-have lens. Sure the bokeh of an f1.8 is neat, but spend an extra couple hundred on a better quality 50mm if you must have one.
Customer Review:
A prime lens for under $90.00 that takes great pictures? That is indeed what you get. While the plastic build quality seems a little weak, the quality of the pictures you get from this lens are as sharp as they come. If you are using a kit zoom lens with your Canon SLR, you owe it to yourself to try one of these to see just how well your camera can perform. You won't regret it, and at this price, if it breaks, it's easy to replace. Highly recommended for those high-school camera jockeys shooting at high-school gym events and of course for portraiture. Now, if only I can find a 18mm F1.8 at $100 or under!
Nikon 55-200mm f/4-5.6G ED IF AF-S DX VR Zoom Nikkor Lens
Description:
55-200mm f/4-5.6G ED AF-S VR DX Zoom-Nikkor lens with 35mm equivalent of 82-300mm * Vibration Reduction allows in-focus shots with longer exposure times (up to three shutter speeds slower) * Silent Wave Motor for fast, quiet focusing * ED (Extra-low Dispersion) glass lens element for superior optical performance * attachment/filter size: 52mm *
Customer Review:
This lens is certainly cheap. But cheap applies to both the price and the product, not in the sense that it's a particularly good deal. The pictures, provided you are shooting within its relatively pedestrian envelope of capabilities, are fine. The real killer is the handling and build. The focus ring is terrible, and MF/AF switching is a pain. Minimum focus distance is also not particularly good. Overall, I think the better all-around usefulness of the 18-200 VR will outweigh its slightly more compromised optics (given that neither of these lenses are amazing performers in the first place), so I'm returning this for the 18-200.
Customer Review:
Really appreciate the light weight of this lens. At first not sure of the stabalization feature working, but then the familiar knock sound when system was locking on. Haven't taken many pictures so far with the lens but what I have, seems to be sharp and color right on. With carrying various pieces of equipment on a photo shoot the weight is a big plus.
Customer Review:
i love this lens! i'm just starting out but it's great fun to use. takes very clear pictures. the VR allows me to shoot at lower shutter speeds with low light and still avoid getting blurry pictures. works great with my D40!
Nikon 18-200mm f/3.5-5.6 G ED-IF AF-S VR DX Zoom-Nikkor Lens
Description:
f/3.5-5.6 AF-S DX wide-angle to telephoto zoom lens with 35mm equivalent of 27-300mm * Vibration Reduction (VR II) allows in-focus shots with longer exposure times (up to four stops slower shutter speed) * contains two ED (extra-low dispersion) and three asperical lens elements for high resolution and contrast * Silent Wave Motor for fast, quiet focusing * compatible with Nikon DX format digital SLR cameras including the D80 and D200 * minimum focus distance: 19.2 inches * lens is 3-13/16" long, 3" in diameter *
Customer Review:
I like the range it offers: flexible and convenient to use one lense in the field. It's not as sharp as I expected, plus it extends out when zooming in, increasing the likelihood of dust getting inside.
Customer Review:
pros
huge zoom, good quality, very quick, and accuracy auto focus, small astigmatism
cons
little dark in 200mm, visible vignetting
in my opinion it is the best choice for d40.
quality is good outside while there is big sun, and there was surprise for me with night panorama pictures. VR is perfect between 18- 80 mm
Customer Review:
I bought the 18-200 lens along with a D300 because of all the excellent reviews here and in other places. I fully expected this very useful lens to be "the" one lens answer for all photographic needs - It really isn't.
The zooming range is phenomenal - to have one lens that will meet the demands of about 95% of all picture taking opportunities - and in a small, lightweight package is truly unbelievable.
My problem is image quality. I am used to sharp, crisp images - having used many pro-grade lenses from Canon, Leica, Olympus and others, I guess that I am used to being able to look closely at my pictures and see well defined lines, borders etc. The 18-200 just doesn't deliver - particularly at the edges of the frame.
I actually conducted tests, not very scientific tests, mind you, but I just went out and took pictures - all at the same time - with three different lenses. The 18-200 Nikon, a 17-55 f2.8 Nikon, both on the D300, and the 12-60 Olympus Zuiko lens on an Olympus E-3.
The differences were dramatic. Both the 17-55 Nikon and 12-60 Olympus were beautifully sharp and crisp all across the frame - the 18-200 Nikon was not. With the 18-200, tree branches at edge of the frame were fuzzy and ill defined. In pictures of a "brick wall" on the side of my house the 18-200 just didn't produce the same results as the other two. I took about a hundred pictures with each lens. Different subjects, some mounted on a tripod, some hand-held, Both the Olympus and the 18-200 Nikon had the benefit of image stabilization, the 17-55 did not. I turned the stabilization off when I used the tripod. I did my very best to duplicate exposure and framing on all the images.
In picture after picture, the two "good" lenses just did a noticeably better job. I do mean noticeably - I inspected all pictures in Adobe Lightroom and Photoshop CS-3. I zoomed in on various portions of each picture and the results were consistent. Even with sharpening in Photoshop, the 18-200 never reached the level that was met by the other two lenses without sharpening.
Perhaps I got a bad copy of the 18-200. At this point, I don't know. Maybe I'll try another one. I just know that the one I got just isn't as sharp as the two lenses I compared it with and just isn't "good enough" for my picture taking needs.
I love the focal range of the 18-200 but it just doesn't answer my particular need for sharp images.
Canon EF 100mm f/2.8 Macro USM Lens for Canon SLR Cameras
Description:
Bring small things into full-sized view with the Canon EF 100mm macro USM lens. Macro lenses can uncover detail that would be impossible to detect by the eye and give new perspective to extremely minute subjects such as insects or the petals of a small flower, and this lens is no exception. The lens offers such features as a three-group floating system for exceptional close-up performance; a secondary diaphragm that blocks stray light at f/2.8, which increases contrast when shooting wide open; a ultra-sonic monitor (USM) that provides outstanding autofocusing speed at all focusing distances; a wide manual focusing ring with smooth action; and full-time manual focus even in AF mode. The first lens in its class to feature inner focusing, the lens carries a one-year warranty.
- Focal length: 100mm
- Maximum aperture: 1:2.8
- Lens construction: 12 elements in 8 groups
- Diagonal angle of view: 24 degrees
- Focus adjustment: Inner focusing system with USM
- Closest focusing distance: 1 foot (film plane to subject)
- Filter size: 58mm
- Dimensions: 3.1 inches in diameter, 4.7 inches long
- Weight: 21.1 ounces
Customer Review:
this lens is fantastic. It is flexible, durable, and most of all, not wicked expensive for what you get. OK, so I found a better deal and got one for about $400 even, but if i knew the quality was this damn high, i would've paid $600 at circuit city in a heartbeat. Its kinda heavy and long, but i'm used to my Sigma 18-200mm zoom lens which is wider and heavier. The pictures ive taken are amazing. Only thing is, for some reason, with this lens your camera will try to make the image brighter by holding open the shutter longer at spots with normal light for other lenses. Also, there is a switch for a distance limiter, yet it doesn't do anything different for me. Supposedly its better for taking pictures of things that are farther away. Did I mention that its great for a medium telephoto lens too? plus it only has a focus ring.
Customer Review:
Bought this fantastic lense a few days ago. The lense arrived on time and in good condition. This lense is very fast, yes, you have to believe me! Despite without IS, I still manage to get extremely sharp images. This lense is also fairly priced despite it's reputation and performance. A little heavy though, anyhow not really a big issue for me. You've got to try it. It truely deserves a red ring!
Customer Review:
Sharp, really sharp, great images with loads of detail. The focusing ring is just slightly loose, like the gears could mesh a bit tighter, but it doesn't hinder precise focusing.
Canon EF 50mm f1.4 USM Medium Telephoto Lens for Canon SLR Cameras
Description:
When accuracy matters, the Canon EF 50mm standard lens steps to the plate. The lens offers two high-refraction lens elements and new Gaussian optics, helping eliminate astigmatism and suppress astigmatic differences. As a result, the lens provides an image that's extremely close to how your eye perceives a subject, making it excellent for portraits and images that require a natural depth of field. The lens even delivers crisp images with little flare at the maximum aperture. Compact and affordable, the EF 50mm is the only lens in the EF system to offer the extra-small Micro USM while still providing full-time manual focusing. As with all Canon lenses, the EF 50mm carries a one-year warranty.
- Focal length: 50mm
- Maximum aperture: 1:1.4
- Lens construction: 7 elements in 6 groups
- Diagonal angle of view: 46 degrees
- Focus adjustment: Overall linear extension system with USM
- Closest focusing distance: 1.5 feet
- Filter size: 58mm
- Dimensions: 2.9 inches in diameter, 2 inches long
- Weight: 10.2 ounces
Customer Review:
I've been using this lens almost exclusively for about a month now, and love it to death. For the stuff I like to shoot, this lens is perfect. Because of the very wide aperture, you can get amazing portraits with very shallow depth of field, and can also take shots in low light environments without destroying natural light with a flash.
I really have no complaints. It's very well-built, focuses quickly, and takes amazing pictures. Easily the best lens purchase I've made yet.
Customer Review:
I had just used the kit lens that came with my dSLR and I was often frustrated by either having blurry shots or having to use the harsh flash. I wish I would have had this before the birth of my first son so I could have gotten non-blurry delivery room photos. I won't make that mistake for our second child!
I bought this lens about 9 months ago and it hasn't left my camera since. It's fixed focus, so you've got to do some moving around to get the right shot ("zoom with your feet!!!"), but once you're in position, you *will* get the right shot. The lens is super fast so you can capture amazing action outside or take some great low light shots indoors. I don't think I've used the flash more than a dozen times in the thousands of photos I've taken since I bought it.
If you've got a dSLR, you have to get this lens or at least the f/1.8. Our fancy cameras are just being wasted with the f/3.5 lenses Canon includes in the kits.
Customer Review:
the latitude that the 1.4 aperture gives is absolutely top-notch. Obviously, the L-lens would be that much faster but considering the cost differential, Canon's 50mm 1.4 prime lens is a must-have for anyone wanting to take photography seriously.
And for those of you walking around with a 24-70 or other zoom lens - you'll really love the weight difference!
Despite the fixed focal length, this could become your primary lens very quickly. And there is an added benefit - it will force you to get closer to your subjects. If you've been using your longer zooms to get away from getting up close and personal, you'll see an immediate improvement to your photos, particularly your portraits!
Canon EF 70-300mm f/4-5.6 IS USM Lens for Canon EOS SLR Cameras
Description:
EF 70-300mm f/4-5.6 IS USM telephoto zoom lens * Image Stabilization allows in-focus shots with longer exposure times (up to three stops slower shutter speed) * Micro Ultrasonic Motor for fast autofocus * compatible with all Canon EOS SLR cameras * minimum focus distance: 4.9 feet * lens is 5-13/16" long, 3" in diameter *
Customer Review:
I recently used this lens on an impromptu nature walk and was pleasantly surprised at how much the IS helped, especially at the 200-300mm range. I was able to get some really good long shots--all hand-held--on a relatively low contrast overcast day. Perhaps it was what I was shooting (relatively still nature, like birds) but I didn't experience any problems that others may have noticed with focus speed or visual quality issues. I will say this is probably not the lens to use for fast moving sports or even everyday walk-around photos. For me, telephotos (200mm+) are fairly specialized (I prefer street photography). In most cases I would use my 28-135mm and crop. I usually use this lens for very specific purposes.
Customer Review:
I just received my Canon 70-300mm USM/IS a couple of weeks ago, and I finally got the chance this week end to go out and try it. I was kind of scared after reading the other reviews that I would have issues with the quality of the images at full zoom. Well, let me tell you something, WHAT A GREAT LENS !
I was able to take EXCELLENT pictures of my fiancee at a full 300mm settings. After reviewing the pictures on my computer, I was amazed at the details. You can clearly see the smalled strands of hair in the wind. Absolutely amazing.
I also took pictures of my dog running on the beach at full 300mm. Some people told me that the focus was kind of slow and I would have issue. It's a little bit slower I agree, but I took great shots of a moving subject. I do not know how good and fast would be the focus in another kind of day (not sunny, low light...) but my first experience with it was great.
If you go and look at the customer images link, you will find the one I uploaded (under Simon Templar) and you'll see what I am talking about.
The IS is also a great feature. No need to walk with a monopod anymore.
Gotta love it !
Customer Review:
I have shot with the 200L (don't own one) that people are comparing this to. The lenses are different, and suit different needs. This lens was what I purchased because I wanted a longer telephoto with IS, instead of the shorter, higher quality non-IS lens. The thing that most photography reviews often don't take into consideration when talking up one lens over another is price (I'm not picking on any reviewer on this, I'm just saying from experience reading many reviews all over). To get a theoretical 70-300mm IS USM in an L series, you would pay a TON more than the 200L. The 200L is obviously shorter and higher quality than the 70-300ISUSM. If you want to know about the quality and performance of the 70-300mm IS USM, my opinion is that its a strong build with excellent IS. I'm totally happy with mine, and have taken a few excellent shots at 300mm that turned out great. I use it in fairly harsh temperatures outdoors. For the price, you won't find a lens even close that does the same job better. If you're deciding on what lens to buy, I can't help ya. But if you're wondering about THIS lens, I say its great.
Nikon 70-300mm f/4.5-5.6G ED-IF AF-S VR Zoom Nikkor Lens for Nikon Digital SLR Cameras
Description:
70-300mm f/4.5-5.6G ED-IF AF-S VR Zoom-Nikkor lens (equivalent to 105-450mm on a 35mm SLR) * Vibration Reduction (VR II) allows in-focus shots with longer exposure times (up to four shutter speeds slower) * contains two ED (extra-low dispersion) lens elements for high resolution and contrast * Silent Wave Motor for fast, quiet focusing * compatible with Nikon film SLR and DX format digital SLR cameras * minimum focus distance: 4.9 feet *
Customer Review:
We added to our collection of Nikkor lenses and the 70-300mm, this is our first with the VR feature. Having been shooting pictures in a fairly serious manor for the last 45 years, mostly sports and outdoor wildlife. I have seen a lot of equipment and changes to the Industry. In my opinion, this is the best lens I have used. It is almost impossible to hand hold a long lens and get any degree of proper clarity but the VR feature helps greatly.
Customer Review:
I've had this for a couple of months now and I have liked the results so far. Been doing a lot of indoor sports photography (lacrosse and swimming) and once I got used to the limitations of the lens (small aperture) I am getting very good results for a lens in this price range. Autofocus is fast and pictures are sharp. Looking forward to outdoor sports this summer!
Customer Review:
I've had this lens for several weeks now. I love it. I enjoy nature and travel photography and this lens gets me where I want to go without disturbing my subject. The lens works great with my Nikon D40x. While a longer lens would be even better, the price of this flexible beauty makes it a great value. I would not buy another lens with out the vibration reduction feature. This lens has produced some very clear shots, taken in a hurry, without the use of a tripod or other stabilization device. The weight allows for easy transport into the woods. I recommend it highly.
Canon EF 75-300mm f/4-5.6 III USM Telephoto Zoom Lens for Canon SLR Cameras
Description:
This compact and lightweight EF 75-300mm telephoto zoom lens is ideal for shooting sports, portraits, and wildlife. The lens is distinguished by a newly developed micro ultra-sonic monitor (USM) that makes autofocusing quicker and quieter, along with an improved zoom mechanism that includes a silver ring on the front for a luxurious touch. The micro USM makes this version of the lens particularly suitable for applications that require a fast autofocus, such as sporting events or wildlife shoots. Best of all, the USM version shares many of the same features that makes the non-USM lens so popular, such as a compact size, a close focusing range, and accessory compatibility. As with all Canon lenses, this unit carries a one-year warranty.
- Focal length: 75-300mm
- Maximum aperture: 1:4.5-5.6
- Lens construction: 13 elements in 9 groups
- Diagonal angle of view: 32 degrees (at 11 feet) to 8 degrees (at 15 feet)
- Focus adjustment: Front group rotating extension system with USM
- Closest focusing distance: 4.9 feet
- Zoom system: Rotating type
- Filter size: 58mm
- Dimensions: 2.8 inches in diameter, 4.8 inches long
- Weight: 16.8 ounces
Customer Review:
I would have preferred a higher end lens but for the price is can't be beat. For shooting outdoors and in bright light this lens is very good. I would like a little better low light performance but for that I would need a lens that cost more than double this one. I shoot my nephews playing flag football and the shots I got from the side lines were great. Unfortunately at night they were not so great. Guess I will have to save my dollars for those more expensive lens. If you have the money for a Canon L lens get it. If not, this will do in a pinch.
Customer Review:
This has been a fun lens to play with! I have been able to use this lens just fine without a tripod and still get great pics! I don't know much about the logistics of this lens but I have had a great expierence with it and am glad I bought it!
Customer Review:
This lens was everything I was expecting and more. For my price range and photography level, I couldn't ask for more. The zoom worked quite well and is even better than the lens I had for my old 35mm. Auto-focus takes about a second longer than my standard lens, but speed is not an issue for most of the things I photograph. Great purchase for a novice photographer looking to get that picture from a little further away.
Sigma 10-20mm f/4-5.6 EX DC HSM Lens for Canon Digital SLR Cameras
Description:
10-20mm F4-5.6 EX DC HSM lens allows enjoyment of super wide-angle photography and it is a very powerful tool for indoor shooting and landscape photography with digital SLR cameras. Wide angle of view (102.4 degrees at 10mm and 63.8 degrees at 20mm) offers the photographer greater freedom of expression. 3 Special Low Dispersion (SLD) glass elements are employed for effective compensation of color aberration, which is a common problem with super-wide angle lenses. One piece of glass mold and two hybrid aspherical lenses, offer excellent correction for distortion, as well as all types of aberration. This lens is equipped with an inner focusing system, and the models which are equipped with HSM system provide quiet, high speed autofocus shooting and also offer full time manual focusing. It has a minimum focusing distance of 24cm at all focal lengths. The non-rotating lens barrel perfectly suits the petal shaped lens hood. A circular polarizing filter can also be used conveniently. Angle of View - 102.4 - 63.8 degrees 6 Diaphragm Blades Minimum Aperture F22 Minimum Focusing Distance - 24cm/9.4 inches Maximum Magnification - 1 - 6.7 Filter Size - Diameter 77mmLens Hood Petal Hood Dimensions - Diameter 83.5mm x Length 81mm, 3.3 x 3.2 inches Weight - 470 gram (16.6 ounces)
Customer Review:
This lens is very good. Wide Angle is putting it nicely. The Construction of the lens is superb and I am happy not to have wasted the money on the Canon 10-22mm for 200 more dollars.
Customer Review:
Received this recently and really like it! Great quality and fast and quiet! Works perfectly with my Canon Digital Rebel XT.
Customer Review:
Really nice Lens, I am testing yet, but I already could take really nice pictures with it. I recommend.
Canon EF-S 18-55mm f/3.5-5.6 IS SLR Lens
Description:
Canon's latest optical Image Stabilizer (IS) technology provides up to 4-stop compensation for image blur caused by camera shake and slow shutter speeds. Photographers normally shooting handheld at 1/250 sec can switch on IS to obtain a similarly steady and blur-free result with a shutter speed of just 1/15 second. The inclusion of automatic panning detection makes it easier for photographers to track wildlife and other moving subjects. To ensure consistently accurate results at all zoom positions, the IS system within each lens has been optimised for that lens' specific focal length range. Since the IS system is based within the lens, the results are visible through the viewfinder when framing the image.
Customer Review:
I just bought a Canon Rebel XTi and it comes with an 18-55mm lens. I ordered the 18-55mm IS at the same time. The non-IS lens is still in the box. I also own an older 75-300mm USM IS lens and after seeing what "Image Stabilization" can do, I am sold. IS has saved me a lot of film because I no longer had to toss out blurred images taken with a long lens. Now that I shoot digital I save time deleting blurred images. The IS lens looks almost identical to it's non-IS sibling but the end results are that IS makes this a better lens.
Customer Review:
I bought this lens to replace the kit lens that came with my Rebel XTi and I am thoroughly impressed by its performance. The kit lens simply pales in comparison. The image stabilizer does its job very well, and the image quality is excellent.
There are many people and reviewers who compare this lens unfavorably with Canon's acclaimed L-Series lenses. I think those folks are way too picky - one can't expect a $200 lens to perform as well as a $1,000 lens. That's like comparing a little Honda Civic to perform as well as BMW M3. Not gonna happen, but for the price the Civic is an excellent little car. Likewise, this lens is a worthwhile investment towards getting excellent pictures. Pay no heed to the people who rate this lens poorly because it doesn't zoom as far (you should have bought a longer lens) or those who claim its build quality is not as solid (you should have spent a lot more money).
I've read the tech reviews containing information about vignetting, barrel distortion, bokeh, etc. The reality is, I am not a professional photographer (i.e., I don't put food on my family's table by taking pictures) so those things don't matter so much. All I care about is that the pictures come out crisp and the colors accurate. I take pics of my wife and baby, often in low light conditions without a flash. I shoot in JPEG high compression to save disk space and to make it easier to email the photos to our parents and extended family. If this is what you'll be doing, then buy this lens right away; you won't be disappointed.
Perhaps someday I will want to buy a camera with a longer zoom (which is why I got a DSLR camera) or I'll buy a faster computer so I can switch to shooting in RAW (thus necessitating an L series lens). Until then, I expect this lens will be on my XTi for a long, long time.
Customer Review:
I just concluded my US vacation. Before my trip, I decided to buy this lens from Amazon and use it as an all-around lens for the trip. I reckoned that my 24-70L would be too heavy and couldn't fit my 30D my semi-leather case with it. So, I used this lens thoughout my whole trip.
When I reviewed my shots in my laptop, I couldn't find any fault with it. When I compared its pictures with the the shots from my 24-70L, I could barely notice the difference. Its just as tack sharp except in low light conditions where you will notice a slight advantage of the 24-70L.
Color comes out less saturated than the L lens though although very acceptable. Build quality is comparable with other non L lens. IS is superb.
To me, this is the best value for money among lenses that Canon has in its current line up. I will bet good money that this lens will out perform other L and non-L lenses 3x to 5X its price.
A must have for Canonians.